March 6, 2018

RED vs ARRI is sort of the Godwin’s Law of filmmaker debates: every argument seems to drift in that circular, repetitive, and exhausting direction where both sides are convinced of their objectivity. What’s interesting to me, however, isn’t which camera is better, but...

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Check out the ProVideo Coalition's article about us combining Sony cameras with Cinedecks for our movie "Ghost of Goodnight Lane"

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