March 6, 2018

RED vs ARRI is sort of the Godwin’s Law of filmmaker debates: every argument seems to drift in that circular, repetitive, and exhausting direction where both sides are convinced of their objectivity. What’s interesting to me, however, isn’t which camera is better, but...

February 8, 2018

For an independent filmmaker, showing you've got the abilities to produce a sharp, clean, quality image is very important for the success and longevity of the studio. Having a high end camera and knowing how to shoot with it will give you great images, but knowing how...

February 6, 2018

We are gearing up for a year full of video and photography production and that means securing new and better equipment for our studio. One of the most stunning cameras on the market today is the new Arri Alexa Mini. It's got a slick body sitting at only five inches tal...

February 6, 2018

Sony surprises us with their newest camera, the FS7 Mark II. This follow up to the extremely popular Sony FS7 comes with few upgrades but a serious price increase that makes it as expensive as the Canon C300 Mk II. Even more surprising, the FS7 Mark I will still be pro...

February 6, 2018

I have been in photography long enough to remember when the quality of zoom lenses was so far inferior to single focal length lenses (AKA “fixed lenses”) that most serious photographers would not use zooms, in spite of their obvious convenience. But today, the quality...

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Check out the ProVideo Coalition's article about us combining Sony cameras with Cinedecks for our movie "Ghost of Goodnight Lane"

March 1, 2018

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